The Dutch architect William Brand and sculptor Annet van Egmond developed their 1st chandelier out of plain steel wire back in 1988. And it was destined to turn out to be a symbol of modern day designer lighting. Then appeared Brand van Egmond Company, which constructed its good results on 3 simple principles: standard hand craft, hi-tech and innovative materials. The fruit of their job is distinctive lamps and chandeliers that can be effortlessly adapted for a client’s personal desires and wants. But fashionable and planet-popular items do not come out of the blue – the author always demands a source of inspiration. Today we suggest you finding out what inspired the most well-known of Brand van Egmond masterpieces.
The owner and co-founder of the organization, William Brand, is a fan of diving. These of you, who tried this at least after, would understand how inspiring kelps might be. This seaweed is lazily swaying calm waves like the grass moving in the wind, but much more gently and smoothly. It is all penetrated with flickering light coming from above and seems to be hiding and coming out to dazzle you. Such an outstanding view impressed William so significantly that he repeated the kelp’s fanciful shape in his new chandelier and it was a large achievement.
The author believes that his process is to attract consideration and get people’s feedback. And the latter is occasionally employed to generate one thing else. Like in the case of the Kelp chandelier – the initial model was somewhat transformed to get a full-fledged collection of lamps. The designers noticed that modern day trends make individuals arrange their houses in cold colour palette – they have a tendency to use lighter and colder shades of walls and flooring colors in pursuit of style. That is how a contrasting copper red Kelp model was born.
Every item designed by the firm is backed by some quite straightforward and recognizable image – an archetype. A designer acts like a writer who tells a story, but with a various tool. A life example from the most current collection is a Flintstone normal lamp. Can you guess what the standard idea was? A stone and a stick. Why? Since we all came from the Stone Age. This image is fairly understandable and clear, and therefore so attractive for consumers.
VICTORIA AND ARTHUR
Finally, new suggestions can be born when the author faces a challenge. That is specifically the case of Victoria and Arthur collections – 1 shape and architecture and two different models, two independent collections.
The point is that William Brand got an order for a crystal chandelier. In the Middle East they are very well-known, but the essential point is moderation – also many crystals and you get yet another kitschy and tasteless piece of décor. William is not a big fan of crystals in general, but he was prepared to face the challenge and do a nice job. That is how the planet saw a feminine version named Victoria and a masculine model dressed in the armor – Arthur. Feminine and masculine spirits – what an archetype can be easier and clearer?
Right here is Victoria:
And right here is Arthur: