Aberrant’s Styrofoam Ceiling Installation Celebrates Wasting Time At Perform

Visitors to an workplace-themed installation by Aberrant Architecture were invited to take a spin on an workplace chair beneath a ceiling suspended just 1.5 metres above the ground (+ movie).

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Aberrant Architecture worked with students from Canterbury College of Architecture to design an installation named In spite of Efficiency for the university’s Herbert Read Gallery.


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Conceived as a “celebration of time wasting at perform”, the installation mimicked an open-approach workplace with an unnaturally low ceiling of styrofoam tiles held in a metal grid, supported by thin white columns.

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Anglepoise-style desk lamps had been suspended about the edges to light the space, while a series of openings permitted guests to pop their heads above parapet level to see a assortment of multi-media installations and “expertise the naturally lit world above the suspended ceiling.”

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“In a slight twist on the norm, this staple of offices the planet over is positioned at shoulder height,” described the architects.

“Hanging 1.5-metres off the floor, visitors to the exhibition are invited to take an information sheet from a filing cabinet, sit on an office chair and propel themselves underneath the ceiling into an artificially lit globe.”

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Video projections and laser-minimize dioramas depicting workplace scenes installed above the styrofoam tiles offer clock-watchers one thing to fill their time.


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Binoculars chained to the openings provide close-up views of information on each and every and every of the laser-reduce panels, which had been made by participating students to find out the history of office style.

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“The exhibition, as correctly as the style notion, appears at the sensible consequences and critical worth of inefficiency in the context of work,” said the architects, who have created a number of non-permanent structures, which involves a roaming market stall and travelling theatre.

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“Inefficiency can be understood as an effort with out having reward as the adverse outcome of a approach created to create a benefit, to be profitable,” they mentioned.

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Over its 3-week duration in December 2014, the exhibition hosted a series of reside performances and video installations presented by a programme of international artists “interested in scenarios and models of unprofitable, futile or ineffective perform.”

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Photography is by Simon Kennedy.